|
THE MUSIC OF
ARNOLD SCHOENBERG - Volume VI |
|
|
|
|
|
|
|
|
|
Long
Playing 1 - side 1 - MS 6994 - XSM 117208
|
|
|
|
|
Arnold
SCHOENBERG (1874-1951) |
Serenade,
Op. 24 |
|
29' 27"
|
|
|
|
- Marsch |
3' 53" |
|
A1 |
34-1 |
|
- Menuett |
6' 22" |
|
A2 |
34-2 |
|
-
Variationen |
3' 49" |
|
A3 |
34-3 |
|
- Sonett Nr.
217 von Petrarca *
|
2' 39" |
|
A4 |
34-4 |
|
- Tanzscene |
6' 31" |
|
A5 |
34-5 |
|
- Lied (ohne
Worte)
|
1' 49" |
|
A6 |
34-6 |
|
- Finale |
4' 24" |
|
A7 |
34-7 |
|
Donald
Gramm, Bass* | The
Columbia Chamber Ensemble
| Robert Craft, Conductor
|
|
|
|
|
|
Long Playing 2 -
side 2 - MS 6995 - XSM 117209 |
|
|
|
|
|
Quintet
for Flute, Oboe, Clarinet, Horn
and Bassoon, Op. 26 |
|
35' 05" |
|
|
|
-
Schwungvoll
|
10' 41" |
|
B1 |
34-8 |
|
- Anmutig
und heiter; scherzando |
8' 26" |
|
B2 |
34-9 |
|
- Etwas
langsam (Poco Adagio)
|
7' 53" |
|
B3 |
34-10 |
|
Long Playing 2 -
side 3 - MS 6995 - XSM 117210
|
|
|
|
|
|
-
Rondo
|
8' 05" |
|
C1 |
34-11 |
|
The
Westwood Wind Quintet
(Gretel Shanley, Flute |
Peter Christ, Oboe | David
Atkins, Clarinet | David
Duke, Horn | Jack Marsh,
Bassoon) |
|
|
|
|
|
Four
Pieces for Mixed Choir, Op. 27
|
|
8' 43" |
|
|
|
-
Unentrinnbar
|
1' 17" |
|
C2 |
35-1 |
|
-
Du sollst nicht, du musst
|
0' 56" |
|
C3 |
35-2 |
|
-
Mond und Menschen
|
3' 08" |
|
C4 |
35-3 |
|
-
Der Wunsch des Liebhabers |
3' 29" |
|
C5 |
35-4 |
|
The Gregg
Smith Singers | The
Columbia Chamber Ensemble
| Robert Craft, Conductor |
|
|
|
|
|
Drei
Satiren, Op. 28 |
|
13' 36" |
|
|
|
-
Am Scheideweg
|
0' 54" |
|
C6 |
35-5 |
|
-
Vielseitigkeit |
0' 46" |
|
C7 |
35-6 |
|
-
Der neue Klassizismus
|
8' 06" |
|
C8 |
35-7 |
|
Anhang |
|
|
|
|
|
-
Ein Spruch und zwei Variationen über
ihn
|
1' 59" |
|
C9 |
35-8 |
|
-
Canon für Streichquartett
|
0' 24" |
|
C10 |
35-9 |
|
-
Legitimation als Canon
|
1' 35" |
|
C11 |
35-10 |
|
Dale
Jergenson, Tenor | Archie
Drake, Bass
The Gregg Smith Singers |
The Columbia Chamber
Ensemble | Robert Craft,
Conductor
|
|
|
|
|
|
Long Playing 1 -
side 4 - MS 6994 - XSM 117211 |
|
|
|
|
|
Septett,
Op. 29 |
|
13' 36" |
|
|
|
-
Ouverture |
7' 10" |
|
D1 |
35-11 |
|
-
Tanzschritte |
6' 47" |
|
D2 |
35-12 |
|
-
Thema mit Variationen
|
4' 58" |
|
D3 |
35-13 |
|
-
Gigue |
6' 31" |
|
D4 |
35-14 |
|
The
Columbia Chamber Ensemble
(Israel Baker, Violin |
Milton Thomas, Viola |
Laurence Lesser, Cello |
Richard Loesser, Michele
Bloch, John Neufeld,
Clarinets | Pearl Kaufman,
Piano)
|
|
|
|
|
|
|
|
|
|
Interpreters (see above). |
|
|
|
|
|
Luogo
e data di registrazione |
|
Los Angeles,
Hollywood, American Legion
Hall (USA):
- 26/28 October 1965 (Op.
24)
- 26
September 1966
(vocal overdub Op.
24)
- 3/12
March & 8/14 April
1965 (Op. 26)
-
10 Febraury
1966 (Op. 27)
-
20/25/26
August 1965
(Op. 28)
-
29 November
1965 (Op. 29)
|
|
|
Registrazione:
live / studio |
|
studio |
|
|
Producer |
|
John
McClure |
|
|
First Edition
LP |
|
Columbia
"Masterworks" | M2S 762 | (2 LP's)
| durata 56' 32" - 43' 55" | (p)
1967 | Analogico
|
|
|
First Edition
CD |
|
Sony
Classical | 19658706112 | LC 06858
| (44 CD's [34/35]) | (c) 2023 |
ADD
|
|
|
Note |
|
-
|
|
|
|
|
The
booklet (8,47 MB)
containing notes, comments
and texts is possible
thanks to:
|
 |
|