 |
|
7 LP's
- 2722 010 - (c) 1974
|
|
| Passionen -
Passions - Vol. 1 |
|
|
|
|
|
|
|
| Johann
Sebastian BACH (1685-1750) |
|
|
|
|
|
|
|
Long Playing 1
- 2564 044
|
|
48' 25" |
|
| MATTHÄUS-PASSION,
BWV 244 |
|
|
|
| Erster Teil |
|
|
|
| -
Salbug in Bethanien (Kap. 26, 1-13)
- Nr. 1-10 |
22' 53" |
|
A |
| -
Abendmahl (Kap. 26, 14-35) - Nr.
11-23 |
25' 32" |
|
B |
Long Playing 2
- 2564 045
|
|
50' 08" |
|
-
Am Ölberg (Kap. 26, 36-50) - Nr.
24-32
|
22' 50" |
|
A |
| -
Am Ölberg (Kap. 26, 51-56) - Nr.
33-35 |
14' 58" |
|
B1 |
| Zweiter Teil |
|
|
|
| -
Falsches Zeugnis (Kap. 26, 57-63) -
Nr. 36-41 |
12' 20" |
|
B2 |
Long Playing 3
- 2564 046
|
|
49' 51" |
|
| -
Verhör vor Kaiphas und Pilatus (Kap.
26, 63-75; 27, 1-14) - Nr. 42-53 |
24' 25" |
|
A |
| -
Überantwortung und Geisselung (Kap.
27, 15-30) - Nr. 54-63 |
25' 26" |
|
B |
| Long Playing 4
- 2564 047 |
|
48' 10" |
|
| -
Kreuzigung (Kap. 27, 31-54) - Nr.
64-73 |
25' 23" |
|
A |
| -
Grablegung (Kap. 27. 55-66) - Nr.
73-78 |
22' 47" |
|
B |
| Long Playing 5
- 2564 048 |
|
40' 50"
|
|
| JOHANNES-PASSION,
BWV 245 |
|
|
|
| Erster Teil |
|
|
|
| -
Verrat und Gefangennahme (Kap. 18,
1-14) - Nr. 1-11 |
23' 44" |
|
A |
| -
Verleugnung (Kap. 18, 15-27; Mt.
26,75) - Nr. 12-20 |
17' 06"
|
|
B |
Long Playing 6
- 2564 049
|
|
41' 38"
|
|
| Zweiter Teil |
|
|
|
| -
Verhör und Geisselung (Kap. 18,
28-19,1) - Nr. 21-32 |
21' 02" |
|
A |
| -
Verurteilung und Kreuzigung (Kap.
19, 2-22) - Nr. 33-52 |
20' 36" |
|
B |
| Long Playing 7
- 2564 050 |
|
43' 47" |
|
| -
Jesu Tod (Kap. 19, 23-30) - Nr.
53-60 |
19' 23" |
|
A |
| -
Grablegung (Mt. 27, 51-52; Joh. 19,
31-42) - Nr. 61-68 |
24' 24" |
|
B |
|
|
|
|
| MATTHÄUS-PASSION, BWV 244 |
JOHANNES-PASSION, BWV 245 |
|
|
| Ernst Haefliger,
tenor (Evangelist, Arien) |
Ernst Haefliger, tenor
(Evangelist, Arien) |
| Kieth Engen,
bass (Jesus) |
Hermann
Prey, bass
(Jesus)
|
| Irmgard Seefried,
sopran (Arien) |
Evelyn
Lear, sopran (Arien)
|
| Antonie
Fahberg, sopran (1.
Magd, Pilati Weib) |
Hertha
Töpper, alt (Arien) |
| Hertha
Töpper, alt (Arien, 2.
Magd) |
Kieth
Engen, bass (Arien,
Petrus, Pilatus) |
| Dietrich
Fischer-Dieskau, bass
(Arien) |
|
| Max
Proebstl, bass (Judas,
Petrus, Pilatus, Hohepriester)
|
Walter
Theurer, querflöte |
|
Edgar
Shann, Kurt Hausmann, oboe
I/II, oboe d'amore, oboe da
caccia I/II |
| Walter
Theurer, Wolfgang Haag, querflöte
I/II |
Valentin
Härtel, Kurt-Christian Stier,
viola d'amore I/II |
| Edgar
Shann, oboe |
Oswald
Uhl, viola da gamba |
| Edgar
Shann, Kurt Hausmann, oboe
d'amore I/II, oboe da caccia
I/II |
Karl
Scheit, laute |
| Otto
Büchner, violine |
Continuo: |
| Oswald
Uhl, viola da gamba |
-
Kurt Engert, Oswald Uhl, violoncello |
| Continuo: |
-
Karl Kolbinger, Detlev Kühl,
fagott |
| -
Oswald Uhl, violoncello |
-
Fraitz Ortner, kontrabass |
| -
Karl Kolbinger, fagott |
-
Hedwig Bilgram, orgel |
| -
Franz Ortner, kontrabass |
|
| -
Ekkehard Tietze, Hedwig Bilgram,
orgel |
Münchener
Bach-Chor |
|
Münchener
Bach-Orchester |
| Münchner
Chorknaben, Fritz Rothschuh
(einstudierung) |
KARL RICHTER |
| Münchener
Bach-Chor |
|
| Münchener
Bach-Orchester |
|
| KARL RICHTER |
|
|
|
|
|
Luogo e
data di registrazione |
|
Herkules-Saal der
Residenz, München
(Germania):
- 23 giugno; 6 luglio; 11, 12 e 2i
agosto 1958 (BWV 244)
- 1-4, 7-15, 20-22 febbraio 1964
(BWV 245)
|
|
|
Registrazione: live /
studio |
|
studio |
|
|
Production |
|
Karl-Heinz
Schneider (BWV 244)
Dr. Manfred Richter (BWV 245
|
|
|
Recording Supervision |
|
Werner Wolf (BWV 244)
Heinz Wildhagen (BWV 245)
|
|
|
Recording Engineer
|
|
-
|
|
|
Edizione "Die
Bach-Ausgabe"
|
|
Archiv
Produktion "Die Bach-Ausgabe" -
2722 010 (7 LP's) - (c) 1974 -
Analogico
|
|
|
Prime Edizioni LP |
|
Archiv
Produktion - SAPM 198 009/12 (4
LP's) - (p) 1959 - Analogico -
(BWV 244)
Archiv
Produktion - SAPM 198 328/30 (3
LP's) - (p) 1964 - Analogico -
(BWV 245)
|
|
|
Note |
|
-
|
|
|
|
|
|
LONG PLAYING
ORIGINALI
|
  |
|
|
