TELEFUNKEN
1 LP - SMT 1307 - (p) 1967

ARIEN VON HÄNDEL · TELEMANN · BACH








Georg Friedrich HÄNDEL (1685-1759) Dalla guerra amorosa - Kantate für Baß und Basso continuo (1)
--' --" A1
Georg Philipp TELEMANN (1681-1767) Aus Der Tag des Gerichts - Zwei Arien aus dem Singgedicht in vier Betrachtungen (2)



- "Fürchtet nur, fürchtet des Donnerers Schelten" - Aus der ersten Betrachtung - Der Unglaube


7' 49" A2

- "Da kreuzen verzehrende Blitze" . Aus der zweiter Betrachtung - Die Andacht

4' 44" A3
Johann Sebastian BACH (1685-1750) Aus Kantaten





- "So löschet im Elfer" - Arie aus der Kantate Nr. 90 "Es reifet euch ein schrecklich Ende" (3)

3' 44" B1

- "Gute Nacht, du Weltgetümmel" - Arie aus der Kantate Nr. 27 "Wer weiß, wie nahe mir mein Ende" (4)
3' 50" B2

- "Welt ade, ich bin dein müde" - Arie mit Choral aus der Kantate Nr. 158 "Der Friede sei mit dir" (4)
6' 34" B3

Aus Johannes-Passion, BWV 245
(5)



- "Betrachte mein Seel'" - Arioso, Nr. 31

2' 30" B4

- "Mein teurer Heiland, laß dich fragen" - Arie mit Choral, Nr. 60

5' 11" B5






 
(1) = Max van Egmond, Bariton | Anner Byslma, Violoncello | Gustav Leonhardt, Cembalo
(2) = Max van Egmond | Concentus Musicus Wien | Nikolaus Harnoncourt, leitung
(3) = Max van Egmond | Wim Groot (Nr. 90) | Jaap Schröder (Nr. 158) | Monteverdi-Chor Hamburg (Nr. 90) | Concerto Amsterdam | Jaap Schröder
(4) = Max van Egmond | Wiener Sängerknaben | Concentus Musicus Wien | Gustav Leonhardt | Nikolaus Harnoncourt
 






Luogo e data di registrazione
(luogo e data di registrazione non indicati)


Registrazione: live / studio
studio

Producer
-


Prima Edizione LP
Telefunken | SLT 43101-B | 1 LP - durata --' --" | (p) 1967 | ANA


Edizione CD
-

Cover

Max van Egmond


Note
Pubblicazione "Omaggio a Max van Egmond" che raccoglie registrazioni già pubblicate ad eccezione della Cantata "Dalla guerra amorosa" di Georg Friedrich Händel (1). Più precisamente:
- (2) = Telefunken SAWT 9484/85-A | (p) 1966 (Georg Philipp Telemann)
- (3) = Telefunken SAWT 9540-B | (p) 1969 (Johann Sebastian Bach, Kantate BWV 90)
- (4) = Telefunken SAWT 9489-B | (p) 1968 (Johann Sebastian Bach, Kantaten Nr. 27 und Nr. 158)
- (5) = Telefunken SKH 19/1-3 | (p) 1966 (Johann Sebastian Bach, Johannes Passion BWV 245)














Max van Egmond was born in Semarang, Java, which then belonged to the Dutch, in 1936. He attended high-school in Holland and studied sociology an psychology for a time. He has also worked as a radio announcer with Radio Hilversum.
He simultaneously completed a course in voice-training under Tine van Willingen, which has allowed him since 1959 to devote himself entirely to music. He has won several important singing competitions, for example in Hertogenbosch in 1959, in Brussels in 1962 and in Munich in 1964, and in 1966 he was invited to join UNAR ("Union International de Promotion artistique").
Max van Egmond is a lyrical bass-baritone with a particular bent for virtuoso Baroque music. His repertoire lies mainly in the field of oratorio but also comprises Lieder and Kammeroper. Besides appearing with several famous orchestras and giving Lieder recitals, this artist has contributed in no small degree to the success of many TELEFUNKEN-recordings of early music, ranging from the art of the minnesinger to the cantatas and passions of Bach.