 |
|
|
1 LP -
M 31512 (versus)
|
|
 |
|
| 1 LP - M
31512 (rectus) |
|
|
| George
Frideric Handel (1685-1759)
|
|
|
|
|
|
| First
Recording at the Harpsichord |
|
|
|
|
|
| Suite
No.1 in A
Major, HWV
426 |
|
|
-
I. Prélude
|
2' 15" |
|
-
II. Allemande
|
3' 03" |
|
-
III. Courante
|
2' 18" |
|
-
IV. Gigue
|
2' 03" |
|
| Suite
No.2 in F
Major, HWV
427 |
|
|
-
I. Adagio
[attacca]
|
2' 28" |
|
-
II. Allegro
|
1' 25"
|
|
-
III. adagio
[attacca]
|
1' 56" |
|
-
IV. Allegro
[Fuga]
|
1' 56"
|
|
| Suite
No.3 in D
Minor, HWV
428 |
|
|
-
I. Prélude.
Presto
[attacca]
|
0' 56" |
|
-
II. Allegro
[Fuga]
|
1' 54" |
|
-
III.
Allemande [attacca]
|
2' 29" |
|
-
IV.
Courante
|
1' 54" |
|
-
V.
Air
|
3' 57" |
|
| -
Variatio
1 |
0' 43" |
|
| -
Variatio
2 |
0' 40" |
|
| -
Variatio
3 |
0' 41" |
|
| -
Variatio
4 |
0' 48" |
|
| -
Variatio
5 |
0' 36" |
|
| -
VI.
Presto |
2' 05" |
|
| Suite
No.4 in E
Minor, HWV
429 |
|
|
-
I.
Allegro [Fuga]
|
2' 48" |
|
-
II.
Allemande [attacca]
|
1' 11" |
|
-
III.
Courante
|
1' 15" |
|
-
IV.
Sarabande
|
2' 47" |
|
-
V.
Gigue
|
1' 02" |
|
|
|
|
|
Luogo e data
di registrazione
|
- Eaton's Auditorium, Toronto
(Canada) - 26 marzo 1972 - (HWV 426,427)
-
Eaton's Auditorium, Toronto
(Canada) - 30 aprile & 1
maggio 1972 - (HWV 428)
- Eaton's
Auditorium, Toronto (Canada)
- 28 maggio 1972 - (HWV 429)
|
|
Registrazione
live / studio
|
| studio |
Producer
|
Andrew Kazdin
|
Sigla CD
|
| 88697130942-43 - (1 CD) - 43'
33" - (c) 2007 |
|
Precedenti
Edizioni
|
| Columbia - M 31512 (stereo) -
(1 lp) - (p) 30/08/1972 |
|
Note
|
Goul's only recording on
harpsichord owed its existence to a
transportation mishap suffered by his Steinway
CD 318. Once again the critics' reactions
ranged from rejection to outrage. Gould himself
was so satisfied with the results that the
once contemplated recording Part 2 of The
Art of the Fugue on this
instrument-a Wittmayer harpsichord.
|
|
| Glenn
Gould (1932-1982) |
|
|
|
